Celestial Chorus (Mage - The Ascension)

Free download. Book file PDF easily for everyone and every device. You can download and read online Celestial Chorus (Mage - The Ascension) file PDF Book only if you are registered here. And also you can download or read online all Book PDF file that related with Celestial Chorus (Mage - The Ascension) book. Happy reading Celestial Chorus (Mage - The Ascension) Bookeveryone. Download file Free Book PDF Celestial Chorus (Mage - The Ascension) at Complete PDF Library. This Book have some digital formats such us :paperbook, ebook, kindle, epub, fb2 and another formats. Here is The CompletePDF Book Library. It's free to register here to get Book file PDF Celestial Chorus (Mage - The Ascension) Pocket Guide.

Post navigation

When the attack happens, you play up the violence and fear, driving the cold reality of the act into their bodies and their minds while you keep yourself alive with Life magic. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email.

Additional information

Notify me of new posts via email. This site uses Akismet to reduce spam. Learn how your comment data is processed.

Posted on October 25, by pointyman Weaknesses The Celestial Chorus is plagued by a major flaw in the fact that just as it is an amalgamation of multiple faiths, these faiths make it harder for them to reconcile with each other. Opportunities Despite the factionalism, the fundamental foundation of the Celestial Chorus has the potential to bring people together.

Share this:. Like this: Like Loading Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in:. Email required Address never made public. Name required. Post to Cancel. Choristers don't even have to be religious to begin with; they can just have faith that there's something out there that's bigger than they are. It's more important that an Initiate have the desire to achieve harmony than that she believe a certain bit of dogma.

However, some people are more drawn to this Tradition than others: Nurses, social workers, people with handicaps, clergy and teachers are likely to become Choristers. Any number of factions make their home in the Chorus. Although the Tradition divides along lines of religion, it also sub-divides by different ways of approaching religion or seeking divinity. These manifold factions are, like the rest of the Tradition, often a loose collection of people who can agree on only some basic tenets.

Indeed, more and more Choristers reject factionalism today in favor of a true unity among all members of the Tradition. Living alone in the far places of the Earth, the Anchorites seek individual wisdom and salvation. The Anchorites do not so much make up a faction as they do a group of individuals who reject the traditional structures. Each one seeks a personal commitment to the divine. Rarely, they interact with the "real world," but most find that the material world is a corrupting influence and they are quick to return to their hermitages. In their communion with wild places and unknown entities, many Anchorites develop a strong connection to Spirit magic.

Conservative Choristers tend to work along Septarian lines. These members decry the Chorus' work with the other Traditions, claiming that the influences of other mages dilute the sacred song with discordant technology and heretical magic. Only the Chorus, they claim, has a true vision of unity. Although their influence is not strong within the Tradition — the Chorus already has too many enemies to go about making more — many Choristers share at least a little bit of their reservations about the works of other mages.

Septarians study Prime magic as they purify their souls to come closer to their own vision of unity with One. The opposite group to the Septarians is the Latitudinarians, who argue for a total restructuring of the Tradition along less Catholic lines. The Latitudinarians believe that the Chorus' medieval structure is too confining and too exclusionary, and that the Tradition must change to accommodate not only other religions but the belief structures of other Traditions as well.

Each Latitudinarian has a personal belief of what is and isn't acceptable, of course, but they all agree that the Tradition should assume a more open structure, a greater degree of debating freedom and a higher tolerance of other Traditional magic.

Post navigation

The most open of the Choristers are usually Monists, who seek a single unified church. How can the Chorus bring about a unity of mankind if it can't achieve unity within its own ranks? The Monists try to reconcile the differences between other factions and religions, making allowances and compromises to build a unified church. Their goal is not to follow any one dogmatic stricture of a "right and true" way to approach divinity, but rather to open the doors to all understanding of the One as equally valid.

Although they meet with considerable opposition, the Monists are persuasive and very tolerant for their Tradition, and they excel at finding allies among disparate groups. They work with the Prime element as a means to exemplify the common roots of all Creation. The Alexandrian Society seeks a reconciliation of religion with science, by bringing scientific thought into the fold of religion.

To them, the process of discovery and inquiry is a sacred search itself, and the scientific disciplines are part and parcel of the search for divinity. Although sometimes accused of harboring elements sympathetic to the Technocracy, the Alexandrians believe in each individual's right to find a balance between science and faith. Furthermore, they denounce the Technocracy as a sterile and soulless creation.

In studying science, the Alexandrians develop their understanding of Matter, to learn how it reflects qualities inherent to divinity. The Sons of Mithras make up a small but militant faction, that embraces the early Roman cult of Mithraism. These' soldiers still hold some grudges against the Chorus for the persecution of Mithraism by Christianity, but they serve as stalwart defenders of the Chorus, believing that all have a claim to security in the quest for the divine.

Sons of Mithras are still a bit of an underground cult, but they are at least recognized by the modern Chorus.

  • World Development Indicators 2004 (World Development Indicators);
  • Top Authors.
  • Engineering the Genetic Code: Expanding the Amino Acid Repertoire for the Design of Novel Proteins;
  • Celestial Chorus, and various faiths/religions/etc?
  • About the Book.
  • You are being redirected.

Most Sons study Forces as a manifestation of Mithras, their god of military might. Children of Albi are essentially the remnants of the Albigensian movement from the days of the Crusades, who cling to the notion that the material and the divine are separate worlds and that only a rejection of the material can allow transcendence to the spiritual. As with other groups that were persecuted during the Crusades, the Children hold a hesitant membership with the Chorus.

They hold a prominent-division between Church and State, believing the State to be of the material and thus corrupt world, and they adhere to sacred scriptures that later Christianity discarded. Children of Albi also study Prime magic to master the secrets of the hidden and holy world in contrast to the corrupt material world. The Nashimites are a Gnostic cult with views similar to the Children of Aibi but stretching back even farther.

To them, the One holds the capacity for all the elements of creation, and the course of living souls determines its will. Thus, the Nashimites believe in the possibility of a truly maltheistic divinity, for as mankind's soul becomes corrupt, so too does the One fall from purity. Naturally, Nashimites work to spread the ideals of light and compassion to as many people as possible, hoping to raise the souls of all mankind to a higher standard so that the One follows and brings the universe to a better state.

As perhaps the most mysterious and schismatic group, the Knights Templar rejoined the Chorus only recently. Although they protect fiercely their old ways of Christianity, they also hold to unusual rites passed down through the ages and have a conspiratorial structure. The existence of such a structure is not surprising considering the historical "end" of the Templars at the hands of a church and ruler that denounced the Knights simply to seize their money.

Modern Templars are warriors of faith who bear arms to defend their Christian teachings, battling the enemies of Orthodoxy and the Chorus.


Tradition Book - Celestial Chorus (Revised)

Some Templars still refuse to associate with the Chorus due to the Tradition's acceptance of other religions, but most see the Technocracy as the greatest betrayal of humanity's divinely granted capacity for thought and free will. While other Choristers seek a unification of humanity in pursuit of the divine, the Templars battle for righteousness with unparalleled zeal, supported by their magical swords, hereditary armor, submachine guns and military training! Nothing so defines humanity as its capacity to strive for the divine. On some level, every individual is aware of this spark, this higher ideal, this greater power.

Even the most evil and depraved monstrosity recognizes this divinity, if only through its deliberate rejection, but unity wails for all.

Celestial Chorus

Just as the splintered shards of the One are scattered throughout the world, so too do humans seek a unity of purpose that will rejoin them. The purity of song joins many voices together as one, in a greater harmony that unites them all and creates something new and beautiful that no single voice could make. From such a chorus, here comes a song of a glorious whole. Divinations are often performed by interpreting dreams, casting of lots, or bibliomancy.

Anything that draws people together including simple touches, communal ceremonies, and even lovemaking are seen as ways to bring people closer to the One. On the other hand, fasting, self-denial, vows, and other sacrifices are seen as ways to free oneself from dependence on base needs in order to refocus and better hear the One's call. Likewise, religious rituals and symbols of faith are manifestations of the divine that can be touched and experienced.

A pray is, for a Singer, a way to manifest the firm belief in something beyond our reach and everything that the common world offers. The more customary prayers for a member of the Celestial Chorus are the petition, where one pleads to the Divine and the command, where the mage draws on the power of the Divine to rule creation itself. One thing that the Chorus teaches is that the One is not a impersonal force of power.

They believe that the Divine can be reached through love and wisdom, so they talk of the One as someone address a person they know and love, so a prayer is not a rote to call a spell but a conversation with the Divine and a way to nourish their own souls. Prayer is where paradigms intersect, as even the most complex ones are based in the intervention of the divine in some way or another, meaning that the Choristers have easier than others to work as a team with other mages despite their beliefs and paradigms, being the sole exception something that absolutely opposes their Resonances and creeds.

In the Choristers, there are many who believe that the One never favored the powerful or the great. The Technocracy may worship size, but the One could be heard in all things, even in those small. That the infinite and the finite kiss each other is the most basic proverb that the Chorister masters teach their new pupils. A sacrament is then a finite moment when the One manifests through an specific physical element, being that grounded in the history of faith or coming with little reason at all. Sacraments in the Singers ritual work in two ways. First, as a metaphor, like how Christian, Jews and others wash themselves to purify their own bodies and souls or the sweet smell of incense symbolizes the presence of the One.

This is, a connection between the Divine and the mundane. The other way is through synecdoche, taking a part for its whole. Christians communing with Christ by eating bread and drinking wine or Jews eating matzoh to be closer to God are examples of this. This is also the basis behind holy iconography. Traditional Chorus teachings divide the history of Creation into Four Ages. The First Age, a period of time called the Shattering when the One's pure unity was broken, extends from the dawn of time to the second millennium before the Christian Era.

The most well-known creation myth of the Celestial Chorus is called The Hymn of the One , an Avestan composition dating from over years old even if that is only when it was written, so the hymn true age can only be guessed preserved by a isolated sect in the Urals. This specific hymn refers to the One as a feminine force of creation. At the beginning of everything, the One was alone, so She sang a single perfect note that filled the Void with life.

She then began to sing more notes, linking them into an entire Song little by little, and as the Song turned bright and pure, it dispelled the Void with a burning hymn. Giving life to each note, she brought life to the Many as she desired companions, and they sang along her in harmony, in praise of the All-Singer. The Many created to innumerable worlds, lands and creatures, making the One proud. For time immeasurable, She sang to the any and they sang to her in a melodic harmony. But discontent dwelt in the hearts of some of them who desired to sing their own Songs, who lacked beauty and were filled of discordance, so the nether-regions and darkness grew, filled with dark emotions.

Journey 119 - Mage on the Motorway - The Celestial Chorus

She forgave these rebels and offered them the choice to rejoin her Song, but they restarted their own Songs and a wrathful One did it too, so the One shattered the dissonant rebels and exiled them into the lesser realms of creation. But the ones who wavered and the faithful Many were also shattered during the War, so they also descended to the common world and the One went silent again. With the Shattering, Time also followed, and a world filled with a Multitude of beings of flesh and frail mortality with the Divine shards still within them sleeping came to be. Some of them remembered, and those were the Awakened ones who would be known as the First Singers.

The Choristers believe their original members and greatest heroes lived and fought during this time; heroes of immeasurable faith and power who bear names such as Bhishma , Enoch , Gilgamesh , Zoroaster , Gunder , and Mitras. Almost nothing is known of them, but the Choristers believe they were among the first to confront the Dark Singers, the Nephandi , who from the beginning sought to destroy everything that had been made and the Skeptics, who doubted the One own's existence.

Though perhaps beings of god-like power, the First Singers were mortal men and women with their own flaws and who eventually some of them perished or were tempted into darkness. Still, Choristers remember them as the first to hear the call of the One and perform great works for humanity during a difficult beginning, caring and protecting the people until the time would come that the call of the One was to be heard by all again.

Their followers inherited their wills, but not those days of near divinity were long gone now. It was now the time of mortal men that facing off against other mortal men, divided and surrounded by their enemies. The Second Age, that spans from the late second millennium BCE to the CE , was the era when the Congregation had its first gathering as a unified whole and acquired power as an organization of Awakened. The first true gathering of Singers is attributed to a priest named Mentuhetep , who during the reign of Amenhotep IV of the Eighteenth Dynasty of Egypt in the New Kingdom , promoted the worship of a single monotheistic sun god, Aten, despite the scorn and wrath of his peers.

It is said that after 40 days of wandering and fasting the One appeared to him, commanding him to gather the One's children that they might sing together in unity, a Celestial Chorus to guide the Sleepers towards the Divine. Though blinded by the visitation, from Thebes and with the assistance of the Pharaoh, Mentuhetep used means magical and mundane to call forth those who still heard the Song from across the world. Pharaoh Amenhotep IV, now calling himself Ikhnaton in honor to their God, abandoned the city of Thebes and built a city called Akhenaten for the glory of the One.

The other priests shower their anger and disapproval for the decision made by the Pharaoh, and predicted the fall of their city and cult, but their wrath fell on deaf ears as Ikhnaton and Mentuhetep continued their vision. The strange and lone Singers from far away were called, and even if they named the One by different names people from disparate lands and creeds gathered to take part in the Sacred Congregation.

A Grand Council was devised to make easier the communication between the various groups inside the Congregation while the first Adytums Chantries were established and grew in power and influence. This First Congregation hold reunions to sing their hymns, explain their own visions of the One and discuss the prophecies that were revealed to their members. Mentuhetep resolved that Singers needed the aid of others to reach the One, and it was decided that the names of the One were many but all were referring to the same God.

Celestial Chorus - Project Fiction

Of those that left, many went on to construct places of worship for the Choristers throughout the world. But the priests who were casted aside by Amenhotep IV worked on the populace of Thebes to raid them into a holy war against the new city of the Pharaoh. It is thought that the priest chief, D'halen Ra' , was allied to the Nephandi. The hatred and inflamed opinions incited by them brought the destruction of Akhenaten, burned to the ground scarcely a one century after its completion, and the first Grand Adytum of the Congregation burned with it.

As this showed them that they could not fully had their authority linked to the Earth, they decided to re-construct a new Grand Adytum in an Horizon Realm , with the Nephandi trying to interfere in its construction and ultimately failing. Faith continued to spread around the world, through kings such as Solomon and nations like Rome. Adytums and groups grew in influence, and at first the ones in Thebes and Memphis were the ones in the lead. The Theban Circle became the most influential group, inheritors of Mentuhetep's authority but once the Alexander's empire rose, the Athenian and Alexandrian Chorus rose as well into prominence.

It was also during this times when one of the surviving groups of the Congregation, the Chosen of Abraham, protected the people of Israel and provided a basis to what would be Christianism, all from the Temple of Solomon , their Adytum commissioned by Solomon itself that survived two incarnations and finally was destroyed in 70 CE. As Rome grew in power, the Chorus began to tie its power to Rome, and until the birth of Christ, Romans filled the Grand Council with almost all members being Romans.

As the Roman Empire was seen as the supreme power in the secular world, the Grand Council thought that the future of the Celestial Chorus was linked to it. This lead to the Congregation gaining more and more Roman characteristics, with the Grand Council renaming itself as the Curia and the High Councilor was to be called the Pontifex Maximus from that point, gaining absolute authority. The centuries following Christ's birth brought the expansion of the Early Christianity, and deep changes within the Chorus were to follow.

From the Holy Land came the Messianic Voices , a Christian group of Awakened who it was little more than a fringe movement at first, but that grew to be the rivals of another rising cult for the control of the Chorus' own foundation. This other cult was the Sons of Mithras , and by the second century of the Common Era, the rivalry between Christianism and Mithraism was in its high point. Christianism was not the most supported faith, but it had a strong voice and the eloquence and persistence of the Christian church won it many supporters. In the year , after the Battle of the Milvian Bridge , Constantine embraced Christianity and permitted them freedom of worship, so the result of the fight for the Celestial Chorus itself was decided.

By the year , just before the First Council of Nicaea , the Pontiff and almost the entire Curia were Christians, marking the end of the Second Age. The Third Age, from the early fourth century to , was the time of the ascendance of Christianity codified over the centuries and having its power cemented, both through academic debate and at the tip of a sword.

Celestial Chorus (Mage - The Ascension) Celestial Chorus (Mage - The Ascension)
Celestial Chorus (Mage - The Ascension) Celestial Chorus (Mage - The Ascension)
Celestial Chorus (Mage - The Ascension) Celestial Chorus (Mage - The Ascension)
Celestial Chorus (Mage - The Ascension) Celestial Chorus (Mage - The Ascension)
Celestial Chorus (Mage - The Ascension) Celestial Chorus (Mage - The Ascension)
Celestial Chorus (Mage - The Ascension) Celestial Chorus (Mage - The Ascension)
Celestial Chorus (Mage - The Ascension) Celestial Chorus (Mage - The Ascension)
Celestial Chorus (Mage - The Ascension) Celestial Chorus (Mage - The Ascension)

Related Celestial Chorus (Mage - The Ascension)

Copyright 2019 - All Right Reserved